瑞吉欧教育主张的互动中没有（）。 A.发展和学习之间 B.情境和儿童之闻 C.思想和

欧美主要国家在确立资本主义制度前后都出现了一些巨大的变化，请回答下列问题：

（1）文艺复兴的先驱是谁？（1分）其代表作是什么？（1分）

（2）新航路开辟的直接原因是什么？（2分）新航路开辟主要是哪两个国家？（2分）

（3）第一次工业革命首先出现在哪个国家的哪个行业？（2分）第一次工业革命出现了诸多的交通运输工具，请列举一例？（1分）第一次工业革命把人类带进了什么时代？（2分）

作直线相关分析时，当n=10，r=0.8531，α=0.05（双侧），查相关系数界值表r_0.001，8=0.872，r_0.002，8=0.847，r_0.005，8=0.805，得P值范围为（）

A.0.001

B.P<0.001

C.0.0005

D.P<0.0005

E.0.002

有关跖腱膜炎患者，下列哪项是错误的（）。

A.常发生在中老年

B.常合并有跟骨骨刺

C.可用跟垫治疗

D.骨刺切除最恰当

E.局封常有效

下列关于简易程序与一审普通程序的说法不正确的是( )。

A．简易程序与普通程序是并列的两个程序，当事人可以自由选择适用

B．适用简易程序审理的案件，如果发现案件复杂，可以采用延长审限的方式解决，并不一定全部要转换成普通程序处理

C．简易程序转换成普通程序审理的案件，普通程序的审限从程序转换之次日起计算

D．适用普通程序审理的案件中，法院发现案件非常简单且标的额较小的，可以转换成简易程序审理

Vilhelm Hammershoi has been a well-kept secret since his death in 1916． All his best- known paintings are of household interiors that are drained of color and tell no stories. 46． His windows cannot be seen through, his doors cannot be opened and the figures produce no element of vitality into the rooms. Hammershoi is defiantly inscrutable; the mood is melancholic and enigmatic, but the paintings are oddly compelling. Quite why, no one seems sure.
Of the 71 paintings in a new exhibition in London, 21 come from his native Copenhagen, 15 from other Scandinavian collections and 20 from private collections, principally Danish. Hammershoi’s focus was not as narrow as this show might suggest, but to see his nudes it is necessary to visit the Statens Museum for Kunst in Denmark. He did some fine, if bleak, landscapes too, but it was the interiors that sold in his lifetime, and he is best remembered for paintings of the sun shining through curtainless window-panes, casting shadows on carpetless floors. 47．Anxious to transform the prosaic into the romantic, his admirers speak of a poet of light and the poetry of silence.
Hammershoi himself was guileless. 48．"What makes me choose a motif are the lines, what I like to call the architectural context of an image," he said in 1907. Light was also very important, but it was lines, he insisted, that had the greatest significance for him. His wife, Ida, makes appearances in the empty rooms, but she is usually painted from the back, with the emphasis on the bare nape of her neck. The heroic figures are white doors and windows, and tables, chairs, a piano and a sofa. No painter can have got so much pleasure from painting brown furniture. One work, titled "Interior with a Woman at a Sewing Table", is a symphony of three shades of shiny brown.
Hammershoi was influenced by Vermeer and the 17th-century Dutch genre painters and by Caspar David Friedrich, a German, but there is no one like him. His work shows traces of an unexpected subversive sense of humor. 49．Felix Kramer, the show’s curator, identifies irregularities, for example, that create an almost surreal quality: a piano with two legs, table legs casting shadows in different directions, chests of drawers with no knobs or handles. Even some of Hammershoi’s admirers wonder what it all means.
50．Trying to pin Hammershoi down is as profitless as Waiting for Godot. However, the new exhibition at the Royal Academy of Arts might encourage some excitement in the marketplace. The highest price made by a Hammershoi interior is ￡ 520,000 ($1 million) in 2006 and the price boom in the auction houses is passing him by. Perhaps the secret of Hammershoi has been kept a bit too well.