某建设工程项目经理部根据目标动态控制原理，将项目目标进行了分解，那么在项目目标实施过

太和远洋运输公司以500万元的价格购得“扬帆号”货轮一艘。1996年太和公司将该货轮抵押给某银行，贷款200万元，并予以登记。 1998年6月，太和公司与某进出口公司签订100吨白糖买卖合同，价款50万元，约定同年12月付款。太和公司收货后，准备将白糖卖给国外某公司，于是使用“扬帆号”货轮于1998年8月将此批白糖发运目的地。运输途中，“扬帆号”遭遇狂风，受损严重，幸得路过的另一艘中国籍货轮救助，才免于倾覆，但所载货物全部损失，为救助“扬帆号”共花去10万元救助费用。脱离危险后，“扬帆号”不得不挂靠在香港某船舶修理厂维修，共花去修理费40万元。“扬帆号”修好后，因无钱支付维修费而被修船厂留置。另外，太和公司尚欠“扬帆号”船员1998年1月至6月的工资共计20万元，以及中国某港口1998年上半年规费5万元。若太和公司已无力支付各所欠款项，则就“扬帆号”货轮折价或拍卖所得的价款，上述各款项的清偿顺序为：

A．船员工资→银行贷款→维修费用→救助费用→港口规费→白糖贷款

B．救助费用→船员工资→港口规费→维修费用→银行贷款→白糖货款

C．船员工资→港口规费→救助费用→银行贷款→维修费用→白糖货款

D．维修费用→银行贷款→白糖贷款→船员工资→港口规费→救助费用

职业纪律具有的特点是（）。

A．明确的规定性

B．一定的强制性

C．一定的弹性

D．一定的自我约束性

特许经营属于哪种系统（）。

A.水平渠道系统

B.紧密型的产销一体化

C.多分销渠道系统

D.垂直渠道系统

In order to understand, however imperfectly, what is meant by "face", we must take (1) of the fact that, as a race, the Chinese have a ply (2) instinct. The theatre may almost be said to be the only national amusement, and the Chinese have for theatricals a (3) like that of the Englishman (4) athletics, or the Spaniard for bull-fights. Upon very slight provocation, any Chinese regards himself in the (5) of an actor in a drama. He throws himself into theatrical attitudes, performs the salaam, falls upon his knees, prostrates himself and strikes his head upon the earth, (6) circumstances which to an Occidental seem to make such actions superfluous, (7) to say ridiculous. A Chinese thinks in theatrical terms. When roused in self-defense he addresses two or three persons as if they were a multitude. He exclaims: "I say this in the presence of You, and You, and You, who are all here present. " If his troubles are adjusted he (8) of himself as having "got off the stage" with credit, and if they are not adjusted he finds no way to "retire from the stage". All this, (9) it clearly understood, has nothing to do with realities. The question is never of facts, but always of (10) . If a fine speech has been (11) at the proper time and in the proper way, the requirement of the play is met. We are not to go behind the scenes, for that would (12) all the plays in the world. Properly to execute acts like these in all the complex relations of life, is to have "face". To fail them, to ignore them, to be thwarted in the performance of them, this is to " (13) face". Once rightly apprehended, "face" will be found to be in itself a (14) to the combination lock of many of the most important characteristics of the Chinese.

It should be added that the principles which regulate "face" and its attainment are often wholly (15) the intellectual apprehension of the Occidental, who is constantly forgetting the theatrical element, and wandering (16) into the irrelevant regions of fact. To him it often seems that Chinese "face" is not unlike the South Sea Island taboo, a force of undeniable potency, but capricious, and not reducible to rule, deserving only to be abolished and replaced by common sense. At this point Chinese and Occidentals must agree to (17) , for they can never be brought to view the same things in the same light. In the adjustment of the incessant quarrels which distract every hamlet, it is necessary for the "peace-talkers" to take a careful account of the (18) of "face" as European statesmen once did of the balance of power. The object in such cases is not the execution of even-handed justice, which, even if theoretically desirable, seldom (19) to an Oriental as a possibility, but such an arrangement as will distribute to all concerned "face" in due proportions. The same principle often applies in the settlement of lawsuits, a very large percentage of which end in what may be called a (20) game.

（9）（）

A.be

B.is

C.was

D.were

建本、闽本