毛 * * 认为，中国人民受到的压迫，最大的压迫是（）。 A.阶级压迫 B.民族压迫 C.

数据库系统中实现各种数据管理功能的核心软件称为 【5】 。

为了让同学们养成关注生活的良好习惯，物理老师倡导同学们对身边一些常见的物理量进行估测，以下是他们交流的一些估测数据，其中符合实际的是     

A．正常人的步行速度约4km/h

B．25寸彩电的功率约2.5W

C．洗澡水的温度约60℃

D．人体的安全电压是36伏

甲受国有事业单位委派，担任某农村信用合作社主任。某日，乙找甲，说要贷款200万元做生意，但无任何可抵押财产也无担保人，不符合信贷条件。乙表示若能贷出款来，就会给甲10万元作为辛苦费。于是甲嘱咐该合作社主管信贷的职员丙“一定办好此事”。丙无奈，明知不符合条件仍然放贷。乙当即给甲10万元，其余190万元贷后用于挥霍，经合作社多次催收，乙拒绝归还。
请分析案例，回答下列问题：

甲收受乙辛苦费10万元的行为构成什么犯罪( )。

A．受贿罪

B．贪污罪

C．非国家工作人员受贿罪

D．挪用公款罪

It is simple enough to say that since books have classes -- fiction, biography, poetry -- we should separate them and take from each what it is right and what should give us. Yet few people ask from books what can give us. Most commonly we come to books with blurred and divided minds, asking of fiction that it shall be true, of poetry that it shall be false, of biography that it shall be flattering, of history that it shall enforce our own prejudices. If we could banish all such preconception when we read, that would be an admirable beginning. Do not dictate to your author; try to become him. Be his fellow-worker and accomplice. If you hang back, and reserve and criticize at first, you are preventing yourself from getting the fullest possible value from what you read. But if you open your mind as widely as possible, then signs and hints of almost imperceptible fineness, from the twist and turn of the first sentences, will bring you into the presence of a human being unlike any other. Steep yourself in this, acquaint yourself with this, and soon you will find that your author is giving you, or attempting to give you, something far more definite. The 32 chapters of a novel -- if we consider how to read a novel first -- are an attempt to make something as formed and controlled as a building: but words are more impalpable than bricks; reading is a longer and more complicated process than seeing. Perhaps the quickest way to understand the elements of what a novelist is doing is not to read, but to write; to make your own experiment with the dangers and difficulties of words. Recall, then, some event that has left a distinct impression on you -- how at the comer of the street, perhaps, you passed two people talking. A tree shock; an electric light danced; the tone of the talk was comic, but also tragic; a whole vision, an entire conception, seemed contained in that moment.
But when you attempt to reconstruct it in words, you will find that it breaks into a thousand conflicting impressions. Some must be subdued; others emphasized; in the process you will lose, probably, all grasp upon the emotion itself. Then turn from your blurred and littered pages to the opening pages of some great novelist -- Defoe, Jane Austen, Hardy. Now you will be better able to appreciate their mastery. It is not merely that we are in the presence of a different person -- Defoe, Jane Austen, or Thomas Hardy -- but that we are living in a different world. Here, in Robinson Crusoe, we are trudging a plain high road; one thing happens after another; the fact and the order of the fact is enough. But if the open air and adventure mean everything to Defoe, they mean nothing to Jane Austen. Here is the drawing-room, and people talking, and by the many mirrors of their talk revealing their characters. And if, when we have accustomed ourselves to the drawing-room and its reflections, we turn to Hardy, we are once more spun around. The moors are round us and the stars are above our heads. The other side of the mind is now exposed -- the dark side that comes uppermost in solitude, not the light side that shows in company. Our relations are not towards people, but towards Nature and destiny. Yet different as these worlds are, each is consistent with itself. The maker of each is careful to observe the laws of his own perspective, and however great a strain they may put upon, they will never confuse us, as lesser writers so frequently do, by introducing two different kinds of reality into the same book. Thus to go from one great novelist to another -- from Jane Austen to Hardy, from Peacock to Trollope, from Scott to Meredith -- is to be wrenched and uprooted; to be thrown this way and then that. To read a novel is a difficult and complex art. You must be capable not only of great fineness of perception, but of great boldness of imagination if you are going to make use of all that the novelist -- the great artist -- gives you.

Which of the following is NOT the preconception the writer mentioned in the passage

A. Not many people ask from the books they are reading what books can give them.
B. Most readers ask too much from the writers with no idea of the actual situation of the different writers.
C. They think poetry should be written based on an imaginative topic.
D. Readers should take an attitude of admiration to the authors.

开通MOTOROLA基站时，必须对基站载频调测发射功率，原因是（）。

A、避免干扰其他基站

B、使同一BSC载频发射功率一致

C、使同一扇区载频发射功率一致

D、保护现场工程师的安全