1Pa就是1（）的力垂直作用在1平方米面积上所产生的压力。

计算机通信可以实现计算机与计算机、人（通过终端）与计算机之间数据信息的（）。

A、生成

B、存储

C、处理

D、传递

E、交换。

调节回炼油液面的方法，一般从调整（）入手。

A.回炼油回炼量

B.反应深度

C.回炼油返塔量

D.重柴油抽出量

下列关于有限合伙人和普通合伙人区别的说法中，正确的是( )。

A．有限合伙人可以用劳务作价出资，普通合伙人不能用劳务作价出资

B．普通合伙人对人伙前合伙企业的债务承担无限连带责任；有限合伙人对入伙前的债务以其认缴的出资额为限承担责任

C．普通合伙人可以其财产份额出质，但是合伙协议另有约定的除外；有限合伙人以其在财产份额出质的，须经其他合伙人一致同意

D．未经全体合伙人一致同意，普通合伙人不得自营或者同他人合作经营与本合伙企业相竞争的业务；有限合伙人可以自营或者同他人合作经营与本企业相竞争的业务，但是合伙协议另有约定的除外

The history of responses to the work of the artist Sandro Botticelli (1444 ～ 1510) suggests that widespread appreciation by critics is a relatively recent phenomenon. Writing in 1550, Vasari expressed an unease with Botticelli’s work, admitting that the artist fitted awkwardly into his evolutionary scheme of the history of art. Over the next two centuries, academic art historians defamed Botticelli in favor of his fellows Florentine, Michelangelo. Even when anti-academic art historians of the early nineteenth century rejected many of the standards of evaluation adopted by their predecessors, Botticelli’s work remained outside of accepted taste, pleasing neither amateur observers nor connoisseurs. (Many of his best paintings, however, remained hidden away in obscure churches and private homes. )

The primary reason for Botticelli’s unpopularity is not difficult to understand: most observers, up until the midnineteenth century, did not consider him to be noteworthy, because his work, for the most part, did not seem to these observers to exhibit the traditional characteristics of fifteenth-century Florentine art. For example, Botticelli rarely employed the technique of strict perspective and, unlike Michelangelo, never used chiaroscuro.

Another reason for Botticelli’s unpopularity may have been that his attitude toward the style of classical art was very different from that of his contemporaries. Although he was thoroughly exposed to classical art, he showed little interest in borrowing from the classical style. Indeed, it is paradoxical that a painter of large-scale classical subjects adopted a style that was only slightly similar to that of classical art.

In any case, when viewers began to examine more closely the relationship of Botticelli’s work to the tradition of fifteenth-century Florentine art, his ’reputation began to grow. Analyses and assessments of Botticelli made between 1850 and 1870 by the artists of the Pre Raphaelite movement, as well as by the writer Pater (although he, unfortunately, based his assessment on an incorrect analysis of Botticelli’s personality), inspired a new appreciation of Botticelli throughout the English-speaking world. Yet Botticelli’s work, especially the Sistine frescoes, did not generate worldwide attention until it was finally subjected to a comprehensive and scrupulous analysis by Home in 1908. Home rightly demonstrated that the frescoes shared important features with paintings by other fifteenth-century Florentines features such as skillful representation of anatomical proportions, and of the human figure in motion. However, Home argued that Botticelli did not treat these qualities as ends in themselves--rather, that he emphasized clear depletion of a story, a unique achievement and one that made the traditional Florentine qualities less central. Because of Home’s emphasis crucial to any study of art, the twentieth century has come to appreciate Bottieelli’s achievements.

Which of the following would be the best title for the text（）

A. The Role of Standard Art Analyses and Appraisals

B. Sandro Botticelli: From Rejection to Appreciation

C. Causes for Botticelli’s Rejection in Earlier Times

D. Botticelli and Florentine: A Comparative Study

各级分公司要根据市场消费特点和竞争态势，细化分析目标市场情况，及时制定有效的营销策略，具体包括但不限于（）。

A.经营节奏的把握

B.分区域分客户的差别化营销措施

C.价格策略

D.有针对性的专项营销活动