种子植物

下列语句中，加点的词语使用最恰当的一项是

A．被贬黄州，流放岭南，一次一次的打击不但没有击垮苏东坡，而且使他更加乐观、更加旷达、更加圆融地对待人生与世界。

B．临朐早在明代就有种植大葱的习俗，“如言山东菜，菜菜不离葱”“大葱蘸酱，越吃越壮”等谚语至今流传，临朐人对葱寄寓着特殊的情感。

C．趴在８号位的黄大爷打枪的姿势显得特别专业，在打枪的几秒钟内，他目不交睫地盯着目标，丝毫不理会别人的叫好声。

D．近日，中国人寿合肥分公司邀请风水师促销，引起广泛关注，秉持理性科学精神的现代金融企业做出如此荒诞之事，简直是匪夷所思。

Thank you for           me your bike.        [ ]

A. lend    

B. borrow  

C. lending  

D. borrowing

每一种角色往往都意味着一种责任。 [ ]

生长发育和成熟受多种激素调节，下列叙述正确的是（）。

A.细胞分裂素在果实生长中起促进作用

B.生长素对果实的发育和成熟没有影响

C.乙烯在果实生长和成熟中起抑制作用

D.脱落酸在果实成熟中促进细胞分裂和果实脱落

Thomas Hardy’s impulses as a writer, all of which indulged in his novels, were numerous and divergent, and they did not always work together in harmony. Hardy was to some degree interested in exploring his characters’ psychologies, though impelled less by curiosity than by sympathy. Occasionally he felt the impulse to comedy (in all its detached coldness) as well as the impulse to farce, but he was more often inclined to see tragedy and record it. He was also inclined to literary realism in the several senses of that phrase; He wanted to describe ordinary human beings. He wanted to speculate on their dilemmas rationally (and, unfortunately even schematically); and he wanted to record precisely the material universe. Finally, he wanted to be more than a realist. He wanted to transcend what he considered to be the banality of solely recording things exactly and to express as well his awareness of the occult and the strange.

In his novels these various impulses were sacrificed to each other inevitably and often inevitably, because Hardy did not care in the way that novelists such as Flaubert or James learned, and therefore took paths of least resistance. Thus one impulse often surrendered to a fresher one and, unfortunately, instead of exacting a compromise, simply disappeared. A desire to throw over reality a light that never was might give way abruptly to the desire on the part of what we might consider a novelist scientist to record exactly and concretely the structure and texture of a flower.

In this instance, the new impulse was at least an energetic one. And thus its indulgence did not result in a relaxed style. But on other occasions Hardy abandoned a perilous risky and highly energizing impulse in favor of what was for him the fatally relaxing impulse to classify and schematize abstractly. When a relaxing impulse was indulged, the style--that sure index of an author’s literary worth--was certain to become verbose.

Hardy’s weakness derived from his apparent inability to control the comings and goings of these divergent impulses and from his unwillingness to cultivate and sustain the energetic and risky ones. He submitted of first one and then another, and the spirit blew where it listed; hence the unevenness of any one of his novels. His most controlled novel, Under the Greenwood Tree, prominently exhibits two different but reconcilable impulses--a desire to be a realist-historian and a desire to be a psychologist of love but the slight interlockings of plot are not enough to bind the two completely together. Thus even this book splits into two distinct parts.

Which of the following is the most appropriate title for the passage, based on its content（）

A.Hardy’s Novelistic Style: A Literary Light

B. Hardy’s Creative Conflict: Rationalism and Realism

C. Hardy’s Achievements: An Ambiguous Triumph

D. Hardy’s Novelistic Impulses: The Problem of Conflicts