免疫细胞表面标志常用的检测方法不包括（） A.抗体致敏细胞花环法 B.免疫细胞化学法

阅读下面的文章，完成文后各题

郑板桥是“扬州八怪”中的杰出代表。也许是因为他在绘画和书法方面的成就太大的缘故吧，一般的读者对他的诗却接触不多，知之甚少。其实，郑板桥的诗写得很有特色：直摅血性，不同流俗，格调高远，字养生民。人们把他的诗与绘画、书法一起誉为“三绝”。

凡是那些有突出成就的诗人，都在继承和创新上狠下功夫，我们不妨看看郑板桥在这两方面是怎样努力的。郑板桥曾说：“汉魏六朝、三唐、两宋诗人，家家都学，便是蠢才。”他认为学习前人的诗，应该“求精不求多”，他主张“诗学三人，老瞄与焉；少陵为后，姬旦为先。”这里所说的老瞄、少陵和姬旦，分别是指曹操、杜甫和周公，据传《诗经》里有些诗歌为周公所作，因此，向姬旦学习也可以理解为向《诗经》学习。从郑板桥所写的诗来看，受曹操、杜甫和《诗经》的影响是很明显的，郑板桥又特别推崇杜甫，他说：“少陵诗高绝千古”，“一首可值千金”，“是《左传》，是《史记》，似《庄子》、《离骚》、而六朝香艳，亦时用之以为奴隶。大哉杜诗，其无所不包括乎！”他把杜甫当成终身学习的对象，对他的古体诗情有独钟。郑板桥深深认识到，要写出自己的个性，必须要创新，因此，他不受自己所处的那个时代的陈腐诗风的束缚，要“自写性情，不拘一格”，要做“主子文章”，这便形成了郑诗的独特风格，奠定了他在清新中的地位。

郑板桥写诗，坚持沉著痛快，泼辣尖锐，以反映劳动人民疾苦为已任的原则，反对写“逐光景，慕颜色，嗟困穷，伤老大”，这些无关紧要的内容，认为写这样的诗对社稷生民没有用处，宁肯终岁不作，也不为一字苟吟。

郑板桥是个现实主义诗人。他敢于直面人生，揭露尖锐的社会矛盾，为受苦受难的劳动人民鼓与呼。

小题1:郑板桥说“汉魏六朝、三唐、两宋诗人，家家都学，便是蠢学”是表明了他的诗学观点□□□□□□□□□□□（按空格数答）。

小题2:郑板桥认为学诗要“诗学三人，老瞒与焉，少陵为后，姬旦为先”是因为这三人的诗有一个共同特点，那就是（用文中原句摘要回答）□□□□□□□□□□□□□□□□□□□□□。

小题3:郑板桥评价杜甫的诗“是《左传》，是《史记》，似《庄子》、《离骚》，而六朝香艳，亦时用之以为奴隶，”是说明杜诗的什么特点的，请简要概括（50字以内）

答：□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□

小题4:郑板桥之所以反对写“逐光景，慕颜色，嗟困穷，伤老大”的文风，是因为他要坚持以□□□□□□□□□□□□□□□□□□□□□□□□□□□□□为内容的诗歌创作。

新生儿体温在38摄氏度以下时，一般不需处理。

甲、乙是周期表中同一主族的两种元素，若甲的原子序数为x，则乙的原子序数不可能是[ ]

A．x+2

B．x+4

C．x+34

D．x+26

“最不能让观众想象的莫过于到达顶点，因为到达顶点，想象就被捆住了翅膀。”出自：（）

A、列宾

B、乔•洛蒂

C、莱辛

D、布里格曼

[A] Storytellers from antiquity knew the power of star-crossed romance, and so did Audrey Niffenegger. Her 2003 best seller The Time Traveler’s Wife is so plangent a tale of fatal love, with two adorable people fighting to beat the odds against them.
[B] Henry, you see, has the gift or curse of time-traveling: disappearing from one temporal and spatial reality to pop up, naked, in another. This science-fiction trope will be familiar to fans of The Terminator, but Henry is no action-fantasy god. He’s just a guy whose body has a wanderlust he can’t harness. That’s why, as he tells the besotted Clare, "I never wanted anything in my life that I couldn’t stand losing. " Of course they’re destined to be each other’s one and only loves.
[C] My friend and neighbor, the filmmaker Alan Wade, has a provocative explanation for why Titanic struck such a p and reverberant chord with hundreds of millions of moviegoers, especially women: the hero dies. OK, that breaks a cardinal rule of movie romance: that the lovers kiss happily at the final fade-out. Most examples of the genre end with that rosy image, in part because their makers are reluctant to bum out their audience.
[D] Henry (Eric Bana), who works in a Chicago public library, is in the reading room when a woman he’s never met walks up to him and says dewily, "I’ve loved you all my life. " She’s Clare (Rachel McAdams), a young artist, and in her past--Henry’s future-he has visited her and won her undying devotion.
[E] James Cameron must have been tempted to end his film with Leonardo DiCaprio’s Jack surviving the ship’s sinking and enjoying a long life with Kate Winslet’s Rose.
[F] That it’s surprising it took six years for it to get to the big screen. Maybe prospective producers were reluctant to buck the prevailing wisdom of a conventional happy ending. Anyway, here is the film version, directed by Robert Schwentke. It’s soppy enough to suit the requirements of the weepie genre, and there’s a music score that tries to cue all the emotions in viewers, as if they’re incapable of locating their own feelings. But the movie also has an aching solidity that allows you to surrender to its cuddly-creepy feelings without hating yourself in the morning.
[G] But Cameron realized that by killing off Jack, he was raising the movie’s stakes from domestic platitude to classic romantic tragedy. Jack’s death stamped both finality and immortality on the lovers’ shipboard tryst. Because he is gone, their love will live forever.
Order:[*]