关于一般共同犯罪心理特征，以下表述正确的是（）。A．根据共同故意产生的时间，可分为事

信息管理就是对生产物流系统和各种信息进行采集、处理、传输、统计和报告，主要的管理功能截然分开。

男患，21岁，10天前有“感冒”史，3天前出现四肢麻木、无力，加重l天。查体：四肢肌力2级，肌张力减低，各腱反射（-），感觉无明显障碍，双侧Bahinski征（-）。治疗应首选（）

A.青霉素

B.甘露醇

C.免疫球蛋白

D.皮质激素

E.新斯的明

某女，28岁。患类风湿性关节炎5年。现四肢小关节肿胀严重，关节畸形，屈伸受限，肌肉刺痛，痛处不移，舌质紫暗，苔白，脉弦涩。查：RF阳性。X线片：关节间隙变窄。治疗选用

A．四妙丸加减

B．身痛逐瘀汤合指迷茯苓丸加减

C．丁氏清络饮加减

D．独活寄生汤加减

E．桂枝芍药知母汤加减

某木制品公司(小规模纳税人)在2011年12月生产高档木筷1000箱，每箱不含税售价800元；另生产未经打磨的一次性木筷子500箱，单箱不含税售价200元。本月的产品全部销售，木制一次性筷子的消费税税率为5%。则当月应缴纳的增值税和消费税合计为( )元。

A．203500
B．72000
C．46250
D．32000

Ragtime is a musical form that synthesizes folk melodies and musical techniques into a brief quadrille-like structure, designed to be played—exactly as written—on the piano. (46) A p analogy exists between European composers like Ralph Vaughan Williams and Edward Grieg, who combined folk tunes and their own original materials in larger compositions and the pioneer composers in the United States. Composers like Scott Joplin and James Scott were in a sense collectors or musicologists, collecting dance and folk music in Black communities and consciously shaping it into brief suites or anthologies called piano rags.

It has sometimes been charged that ragtime is mechanical. For instance, Wilfred Mellers comments, "rags were transferred to the pianola roll and, even if not played by a machine, should be played like a machine, with meticulous precision." (47)However, there is no reason to assume that ragtime is inherently mechanical simply because commercial manufacturers applied a mechanical recording method to it, the only way to record pianos at that date. Ragtime’s is not a mechanical precision, and it is not precision limited to the style of performance. It arises from ragtime’s following a well-defined form and obeying simple rules within that form.

The classic formula for the piano rag disposes three to five themes in sixteen-bar strains, often organized with repeats. (48)The rag opens with a bright, memorable strain or theme, followed by a similar theme, leading to a melody of marked lyrical character, with the structure concluded by a lyrical strain that parallels the rhythmic developments of the earlier themes. The aim of the structure is to rise from one theme to another in a stair-step manner, ending on a note of triumph or exhilaration. Typically, each strain is divided into two 8-bar segments that are essentially alike, so the rhythmic-melodic unit of ragtime is only eight bars of 2/4 measure. (49) Therefore, not concerned with development of musical themes, the ragtime composer instead sets a theme down intact, in finished form, and links it to various related themes that are brief with clear melodic figures. Tension in ragtime compositions arises from a polarity between two basic ingredients: a continuous bass—called by jazz musicians a boom-chick bass--in the pianist’s left hand, and its melodic, syncopated counterpart in the right hand.

Ragtime remains distinct from jazz both as an instrumental style and as a genre. Ragtime style stresses a pattern of repeated rhythms, not the constant inventions and variations of jazz. (50)As a genre, ragtime requires strict attention to structure, not inventiveness or virtuosity, existing as a tradition, a set of conventions, a body of written scores, separate from the individual players associated with it. In this sense ragtime is more akin to folk music of the nineteenth century than to jazz.

(48)The rag opens with a bright, memorable strain or theme, followed by a similar theme, leading to a melody of marked lyrical character, with the structure concluded by a lyrical strain that parallels the rhythmic developments of the earlier themes.