汽轮机的汽缸、隔板、喷嘴、轴承都属汽轮机的静止部分。

关于电抽搐治疗的适应症，下列说法正确的是（）

A.严重抑郁，有强烈自伤、自杀企图及行为和明显自责自罪者

B.极度兴奋躁动及冲动伤人者

C.拒食、违拗和紧张木僵者

D.精神药物治疗无效或对药物治疗不能耐受者

E.骨关节疾病，尤其新近发生者

心理学家一般把自信心定义为儿童在想到或者评价自己具备的品质和能力时的内心体验。

教育现代化的核心是( )。

A．教育内容现代化
B．教育观念现代化
C．教育管理现代化
D．教师素质现代化

Sofia Coppola’s "Lost in Translation" is a funny, bittersweet movie that uses cultural dislocation as a metaphor for people who have gotten lost in their own lives. The movie contains priceless slap-stick from Bill Murray, finely tuned performances by Murray and the beautiful Scarlett Johansson and a visual and aural design that cultivates a romantic through melancholy mood. In only her second feature, Coppola has made a poised, intelligent film that nicely balances laughs with a poignancy rarely seen in American movies. If Focus Features markets "Lost in Translation" carefully, this most original comedy could win audiences well beyond art houses.
Bob Harris (Murray) is a grumpy movie star in town to shoot a whiskey commercial. He is not only plagued by jet lag and gloom over a deteriorating marriage of many years, he is also in the midst of a midlife crisis that dampens his spirits but not his wit.
Charlotte (Johansson) , the neglected wife of a photographer, experiences a similar air-condl-tioned nightmare. Married two years, she already feels lost in the relationship, unable to partici-pate in her husband’s career or pinpoint what she wants out of life. When she ventures into the city, she is confronted by a distorted version of Western modernity.
These two people discover each other late at night at the bar. Neither one can sleep. A friend-ship evolves in their mutual isolation.
Coppola sees in Tokyo’s crowded, neon-lit urban landscape a society estranged from its own culture. The night is filled with pleasure-seekers obsessed by games, toys and American pop culture. Only when Charlotte takes a train to Kyoto is she able to experience the old Japan of ancient temples and gardens, tea houses and kimono-clad figures. This role fits Murray like his own skin. A middle-aged burnout who sees no challenges on his horizon gradually changes into a man revitalized by another alienated soul. His comic touch enriches the character with a self-deprecating wit and in a few sequences, a rubbery physicality that earns sustained laughs. Johansson makes Charlotte’s loneliness and disillusionment palpable as the woman is cut off from life in ways she never imagined.
Using high-speed film stock, cinematographer Lance Aeord gives the glaring neon and num-bingly sleek interiors a kind of romantic sheen. The score produced by Brian Reitzell created out of Japanese musical themes and "Tokyo dream-pop" adds to the sense of an Eastern city that has succumbed in large measure to Western culture.

It can be learned that "Tokyo dream-pop" ______.

A．was adapted to the music of the film

B．was composed by Brian Reitzell

C．must be a theme song sung in the movie

D．must be about Tokyo’s Westernization

（）是指有意识的延长吸气、屏气、呼气的时间。