上消化道出血最主要的临床表现是（） A.呕血 B.黑便 C.呕血、便血、休克 D.失

翼颌间隙位于（）。

A.眼眶前部的下方

B.颊肌与咬肌之间

C.下颌支与翼内肌之间

D.翼内肌、腮腺深叶与咽侧壁之间

E.眶尖的下方、颞下窝的内侧

某增值税一般纳税人生产销售电风扇，成本每台200元，出厂不含税单价为280元/台。4月该厂购销情况如下：

（1）购进电风扇零部件，取得的增值税专用发票上注明销售金额100000元，注明税款17000元，购入后10%用于集体福利；

（2）向当地百货大楼销售800台电风扇，百货大楼当月付清货款后，厂家给予了3%的销售折扣；

（3）向外地特约经销点销售500台电风扇，并支付运输单位8000元运杂费用，收到的运费发票上注明运费7000元，装卸费1000元；

（4）销售本厂自用4年的小轿车一辆，含税售价80000元；

（5）当期随同销售电风扇发出包装物收取押金20000元，合同约定的期限为3个月，没收逾期仍未收回的包装物押金11000元；

（6）本厂将10台电风扇奖励给优秀员工。

假定应该认证的发票均经过了认证，该企业财务人员在申报增值税时计算过程如下：

准予从销项税额中抵扣的进项税额=7000×7%+17000=17490（元）

销项税额=800×（1-3%）×280×17%+500×280×17%+11000×17%+10×200×17%=62947.6（元）

应纳增值税额=62947.6-17490=45457.6（元）

要求：

根据上述资料和增值税法律制度的规定，分析指出该企业财务人员申报增值税时存在哪些问题，并分别简要说明理由、计算出正确的增值税应纳税额。

意识的能动性主要表现在：（）

A.意识活动的计划性和目的性

B.意识活动的主动创造性

C.意识活动通过指导实践，改造客观世界

D.意识活动对人的生理活动的控制

It is simple enough to say that since books have classes -- fiction, biography, poetry -- we should separate them and take from each what it is right and what should give us. Yet few people ask from books what can give us. Most commonly we come to books with blurred and divided minds, asking of fiction that it shall be true, of poetry that it shall be false, of biography that it shall be flattering, of history that it shall enforce our own prejudices. If we could banish all such preconception when we read, that would be an admirable beginning. Do not dictate to your author; try to become him. Be his fellow-worker and accomplice. If you hang back, and reserve and criticize at first, you are preventing yourself from getting the fullest possible value from what you read. But if you open your mind as widely as possible, then signs and hints of almost imperceptible fineness, from the twist and turn of the first sentences, will bring you into the presence of a human being unlike any other. Steep yourself in this, acquaint yourself with this, and soon you will find that your author is giving you, or attempting to give you, something far more definite. The 32 chapters of a novel -- if we consider how to read a novel first -- are an attempt to make something as formed and controlled as a building: but words are more impalpable than bricks; reading is a longer and more complicated process than seeing. Perhaps the quickest way to understand the elements of what a novelist is doing is not to read, but to write; to make your own experiment with the dangers and difficulties of words. Recall, then, some event that has left a distinct impression on you -- how at the comer of the street, perhaps, you passed two people talking. A tree shock; an electric light danced; the tone of the talk was comic, but also tragic; a whole vision, an entire conception, seemed contained in that moment.
But when you attempt to reconstruct it in words, you will find that it breaks into a thousand conflicting impressions. Some must be subdued; others emphasized; in the process you will lose, probably, all grasp upon the emotion itself. Then turn from your blurred and littered pages to the opening pages of some great novelist -- Defoe, Jane Austen, Hardy. Now you will be better able to appreciate their mastery. It is not merely that we are in the presence of a different person -- Defoe, Jane Austen, or Thomas Hardy -- but that we are living in a different world. Here, in Robinson Crusoe, we are trudging a plain high road; one thing happens after another; the fact and the order of the fact is enough. But if the open air and adventure mean everything to Defoe, they mean nothing to Jane Austen. Here is the drawing-room, and people talking, and by the many mirrors of their talk revealing their characters. And if, when we have accustomed ourselves to the drawing-room and its reflections, we turn to Hardy, we are once more spun around. The moors are round us and the stars are above our heads. The other side of the mind is now exposed -- the dark side that comes uppermost in solitude, not the light side that shows in company. Our relations are not towards people, but towards Nature and destiny. Yet different as these worlds are, each is consistent with itself. The maker of each is careful to observe the laws of his own perspective, and however great a strain they may put upon, they will never confuse us, as lesser writers so frequently do, by introducing two different kinds of reality into the same book. Thus to go from one great novelist to another -- from Jane Austen to Hardy, from Peacock to Trollope, from Scott to Meredith -- is to be wrenched and uprooted; to be thrown this way and then that. To read a novel is a difficult and complex art. You must be capable not only of great fineness of perception, but of great boldness of imagination if you are going to make use of all that the novelist -- the great artist -- gives you.

Why did the writer compare reading a thick book to a building

A. Both of them need time.

B. Both of them have precise structures.
C. Both of them need imagination.
D. A and Ｂ.

U8管理软件在局域网中联网使用时，某一工作站登陆服务器，进入某一单据操作时，报错“站点互斥，某某站点正在使用”，而这时只有这一站点在使用，出现这种现象的可能是：（）

A.这个站点的用友软件被损坏

B.服务器上的数据库已损坏

C.服务器上的用友软件被损坏

D.在这之前某一站点非正常推出，出现了单据锁定的异常任务