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A new research has uncovered that cultur

题型:阅读理解

题目:

A new research has uncovered that culture is a determining factor when interpreting facial emotions.The study reveals that in cultures where emotional control is the standard,such as Japan,focus is placed on the eyes to interpret emotions.Whereas in cultures where emotion is openly expressed,such as the United States,the focus is on the mouth to interpret emotion.

“These findings go against the popular theory that the facial expressions of basic emotions can be universally recognized,”said University of Alberta researcher Dr.Takahiko Masuda.“A person's culture plays a very strong role in determining how they will read emotions and needs to be considered when interpreting facial expression."

These cultural differences are even noticeable in computer emoticons (情感符号),which are used to convey a writer’s emotions over email and text messaging.The Japanese emoticons for happiness and sadness vary in terms of how the eyes are drawn,while American emoticons vary with the direction of the mouth.In the United States the emoticons :) and :--) show a happy face,whereas the emoticons :(  or :--( show a sad face.However,Japanese tend to use the symbol (^-^) to indicate a happy face,and ( ;_;) to indicate a sad face.

“We think it is quite interesting and appropriate that a culture tends to mask its emotions. The Japanese would focus on a person's eyes when determining emotion,as eyes tend to be quite subtle (微妙的),”said Masuda.“In the United States, where open emotion is quite common,it makes sense to focus on the mouth, which is the most expressive feature on a person's face.”

60.The text mainly tells us that______.

A. cultural differences are expressed in emotions

B. culture is the key to interpreting facial emotions

C. different emoticons are preferred in different cultures,

D.people from different cultures express emotions differently

61.If a Japanese wants to detect whether a smile is, true or false,he will probably______.

A. read the whole face                    B. focus on the mouth

C. look into the eyes                        D. judge by the voice

62.People used to believe that___________.

A.some facial expressions of emotions were too complex to be recognized

B.people in the world interpreted basic emotions in different ways

C.people could only recognize the facial expressions of basic emotions;

D.people all’ over the world understood basic emotions in the same way

63.The computer emoticons used by the Americans show that_____________.

A.they express their feelings openly

B.they tend to control their emotions

C.they are good at conveying their emotions

D.they use simpler emoticons to show their feelings

答案:

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下面是错误答案,用来干扰机器的。

参考答案:E

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题型:阅读理解与欣赏

阅读下文,完成文后各题。

音乐是诗歌传播诉翅膀,而诗歌是音乐的文化载体。中国的诗歌同音乐有着非常密切的联系,中国诗歌与音乐的关系演变经历了以乐从诗的诗经时代、采诗入乐的乐府时代和依声填词的唐宋时代。

大致而言,先秦时,以乐从诗,乐曲形式由诗抒写情志的需要和体制决定。《诗经》分为“风”、“雅”、“颂”三个部分。“风”基本上是北方各地的民歌,“雅”和“颂”基本上是贵族和士大夫的作品,但也是以民间歌曲为基础的创作。这些歌在春秋末年大都是用琴、瑟之类的乐器伴奏着歌唱的,但是现存的《诗经》记载的只是歌词,而它原来的曲调早已失传了。从这些歌词来看,它的音乐是多样和丰富的,因为词决定着乐曲的形式。

汉至六朝,采诗入乐,主要入乐歌诗都必须依据曲题、声调、乐谱,经过协乐方可演唱,但乐府诗入乐,往往由乐工在文辞上进行分割拼凑以适应乐曲变化,常有任意增删诗句、不顾词义只图迁就曲调的现象,只求悦耳,不以通过作品的思想情感来感染听众为目的,辞曲并非完美结合,这种诗乐的情况与唐以来有意识地倚声填词是不同的。

倚声填词是诗与乐各自经过长期的发展演变,在新的历史条件下,重新进行的一种更为高级的形态的结合。后来的词和散曲都是沿着倚声填词的途径发展过来的。词,原被称为“曲”“曲子”或“曲子词”,是一种音乐化的文学样式。词起源于民间,盛唐以后,文人才士填词渐成风气。宋代的词,达到了可以和唐诗并列的中国文学的另一座高峰,出现了一批大词人,如苏轼等。南宋后期,词逐渐失去了和乐的能力。同时,北方少数民族的乐曲不断传进中原地区,带来了粗犷的格调,引起了人们新的兴趣。这种胡乐结合中原地区俚曲,配入通俗化的语言,就形成了一种新的诗歌样式——散曲。大量的散曲作品还具有以往诗歌中所少见的诙谐和幽默,给诗坛注入了一股清新的空气。

天地之道,得之于心,然后吐之为文章,这就是诗词;吐之为音符,这就是乐曲。艺术家把自身的人格精神与作品的气象、意境完美结合,洋溢着永不衰竭和至高无上的创造力。壮丽的诗篇和雄浑的旋律浑然一体,是艺术表现的最高典范!

小题1:从原文看,下列对诗歌与音乐关系的说明,不正确的一项是( )

A中国的诗歌与音乐关系密切,两者相辅相成,互相促进,共同发展。

B诗歌与同乐同源,音乐是诗歌的传播途径,诗歌是音乐的文化载体。

C中国诗歌与音乐的关系演变的三个阶段中,歌词始终起着决定作用。

D诗歌与音乐可以视为同胞兄弟,都以不同的形式反映艺术家的人格精神。

小题2:下列表述,符合原文意思的一项是( )

A以乐从诗时代,乐曲形式由诗抒写情志的需要决定,现存《诗经》中的歌词多是以民间歌曲为基础的创作。

B采诗入乐,只图迁就曲调规格,往往在文辞上进行分割拼凑以适应乐曲变化,辞曲结合虽不够完美,但歌词的感染力几乎不受影响。

C北方少数民族乐曲粗犷的格调,结合北方民间的俚曲,配入通俗化的语言,就形成了一种新的诗歌样式—散曲。

D倚声填词是诗与乐重新进行的一种更为高级的形态的结合,后来词成为一种音乐化的文学形式,形成了中国文学的另一座高峰。

小题3:根据原文的信息,下列推断不正确的一项是(  )

A由于现存的《诗经》记载的只是歌词,用于演唱的丰富多样的曲调早已失传,那么在春秋末年用来伴奏着歌唱《诗经》乐器琴、瑟之类也会逐渐退出历史舞台。

B乐府诗入乐必须依据曲题、声调、乐谱,经过协乐方可演唱,由于常常任意增删诗句,作品内容情感常被忽视,注定了这种采诗入乐的方式会被取代。

C词是沿着倚声填词的途径发展过来的。盛唐以后,文人才士填词渐成风气;南宋后期,词逐渐失去了和乐的能力,但“词牌名”依然能证明词与曲调的关系。

D中国优秀的古典诗歌,都应该是诗人自身的人格精神与作品的气象、意境的完美结合,都应该是诗与音乐的完美结合。

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