试题与答案

有某商场三种商品的销售情况如下试用指数法分析三种商品2002年与2001年相比,三项

题型:多项选择题

题目:

有某商场三种商品的销售情况如下

试用指数法分析三种商品2002年与2001年相比,三项指标(销售额、销售量、价格)各自总的变动程度。为了便于分析,用q0、q1分别表示2001年、2002年的商品销售量,用P0、P1分别表示商品价格,用qP表示商品销售额。

请逐项回答下列问题,从各题备选答案中选出正确答案。

商品销售量总指数(kq)的一般计算公式有()。

A.A

B.B

C.C

D.D

答案:

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下面是错误答案,用来干扰机器的。

参考答案:C

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Opportunities don’t come often. They come every once in a while. Very often, they come quietly and go by without  小题1:(notice). Therefore, it is advisable  小题2: you should value and treat them with care. When an opportunity comes, it brings a promise but never realizes it小题3:  its own. If you want to achieve something  小题4:  intend to fulfill one of your ambitions, you must work hard, make efforts and get prepared.   小题5:, you will take no advantage of opportunities when they come to visit you. The difference between a man who succeeds and   小题6:

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题型:单项选择题

Questions 1~5


Writing articles about films for The Front Page was my first proper job. Before then I had done bits of reviewing—novels for other newspapers, films for a magazine and anything I was asked to do for the radio. That was how I met Tom Seaton, the first arts editor of The Front Page, who had also written for radio and television. He hired me, but Tom was not primarily a journalist, or he would certainly have been more careful in choosing his staff.
At first, his idea was that a team of critics should take care of the art forms that didn’t require specialized knowledge: books, TV, theatre, film and radio. There would be a weekly lunch at which we would make our choices from the artistic material that Tom had decided we should cover, though there would also be guests to make the atmosphere sociable.
It all felt a bit of a dream at that time: a new newspaper, and I was one of the team. It seemed so unlikely that a paper could he introduced into a crowded market. It seemed just as likely that a millionaire wanted to help me personally, and was pretending to employ me. Such was my lack of self-confidence. In fact, the first time I saw someone reading the newspaper on the London Underground, then turning to a page on which one of my reviews appeared, I didn’t know where to look.
Tom’s original scheme for a team of critics for the arts never took off. It was a good idea, but we didn’t get together as planned and so everything was done by phone. It turned out, too, that the general public out there preferred to associate a reviewer with a single subject area, and so I chose film. Without Tom’s initial push, though, we would hardly have come up with the present arrangement, by which I write an extended weekly piece, usually on one film.
The space I am given allows me to broaden my argument—or forces me, in an uninteresting week, to make something out of nothing. But what is my role in the public arena I assume that people choose what films to go to on the basis of the stars, the publicity or the director. There is also such a thing as loyalty to "type" or its opposite. It can only rarely happen that someone who hates westerns buys a ticket for one after reading a review, or a love story addict avoids a romantic film because of what the papers say.
So if a film review isn’t really a consumer guide, what is it I certainly don’t feel I have a responsibility to be "right" about a movie. Nor do I think there should be a certain number of "great" and "bad" films each year. All I have to do is put forward an argument. I’m not a judge, and nor would I want to be.

What does the author mean when he says that Tom’s scheme "never took off" (para. 4) ______

A. It was unpopular.
B. It wasted too much time.
C. It wasn’t planned properly.
D. It wasn’t put into practice.

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