慢性肝病患者肝功受损程度的指标为（） A.ALT B.AFP C.血清蛋白电

50kg体重的正常成人，其体液量和血量分别为（）。

A.25L和2.5L

B.30L和2.5L

C.30L和4L

D.25L和3L

E.30L和8L

从H、O、C、N、Na、Cu六种元素中，选择适当的元素组成符合下列要求的物质，并用化学式填空（每空只填一种物质）．

（1）最轻的气体______；

（2）厨房用的酸性调味品是______；

（3）发面时用的口碱晶体______；

（4）相对分子质量最小的氧化物是______；

（5）能作燃料的是（写出两种）______、______；

（6）农业上作为氮肥的是______；

（7）游泳池中的蓝色物质是______．

I was born in Korea, and my family came over to America when I was 10. I’m the middle child of three girls, and my parents moved so we would experience a different life. They did it for our education and to give us more of a chance than they had. We moved to Staten Island, and I went to the High School of Performing Arts in New York City. My parents didn’t agree with me when I told them I wanted to be an actress. My father suggested I try premed(医学预科). But after they saw me in plays they were really proud.

I graduated from Boston University and was doing theater in New York when I got cast in a Korean miniseries(电视连续剧). We started shooting the show in New York, and then went to Korea to finish it up. They said I would be there for three weeks, but it ended up being two months. The miniseries took off, and overnight, I became recognizable. It was sort of like Lost. It blew up. Then amazing projects were offered to me. I kept thinking, “ I’ll do one more and then go back to the US.” I ended up staying for seven years.

Some people described me as the Julia Roberts of Korea, which is a bad comparison because she’s the queen of romantic comedy. I became famous in Korea for a dramatic role in a film called Shiri. I played a “La Femme Nikita” type of role. I was the girl with gun—all action．

(   )65. The writer’s parents moved to America so as to _________.

A. offer a good chance to their children.

B. receive a good education in performing

C. seek a good life in America

D. film a Korean miniseries

(   )66. When the writer announced her decision to become an actress, her parents_____.

A. were both in favor of her   B. felt very ashamed of her

C. didn’t agree at first         D. took it for granted

(   )67. What is the second paragraph mainly about?

A. The author’s performing life in America.

B. The difficulties of filming abroad.

C. The popularity of the miniseries Lost.

D. The author’s first performing breakthrough.

(   )68. The writer referred to the Julia Roberts of Korea as a bad comparison to show______.

A. she looked down upon Julia Roberts.

B. she disliked to compare with others

C. she had a different style of performing

D. she was better at dramatic roles than Julia

下列地区中更适合发展外向型农业的是（　　）

A．珠江三角洲

B．洞庭湖平原

C．松嫩平原

D．成都平原

In one sense, we can trace all the problems of the American city back (91) a single starting point: we Americans don’t like our cities very much.
That is, on the (92) of it, absurd. After all, more than three-fourths of us now live in cities, and more are (93) to them every year. We are told that the problems of our cities are (94) more attention in Washington, and scholarship has discovered a whole new (95) in urban studies.
(96) , it is historically true: in the American psychology, the city has been a basically suspect institution, (97) with the corruption of Europe, totally lacking that sense of spaciousness and innocence of the (98) and the rural landscape.
I don’t pretend to be a scholar on the history of the city in American life. But my thirteen years in public (99) , first as an officer of the U. S. Department of Justice, then as Congressman, and now as Mayor of the biggest city in America have taught me (100) too well the fact that a p antiurban attitude (101) consistently through the mainstream of American thinking. Much of the (102) behind the settlement of America was in reaction (103) the conditions in European industrial centers and much of the theory (104) the basis of freedom in America was linked directly to the availability of land and the perfectibility of man outside the corrupt influences of the city.
What has this to do with the predicament of the modern city I think it has (105) to do with it. For the fact is that the United States (106) the federal government, which has historically established our national priorities, has simply never thought that the American city was "worthy" of (107) —at least not to the (108) of expending any basic resources on it.
Antipathy to the city predates the American experience. When industrialization (109) the European working man into the major cities of the continent, books and pamphlets appeared (110) the city as a source of crime, corruption, filth, disease, vice, licentiousness, subversion, and high prices.

A．with

B．to

C．for

D．as