题目:
TDX型套管段铣器段铣,当段铣进尺速度明显降低时(低于02.m/h),原因之一()。
A、排量过大
B、钻压过高
C、刀片磨损
D、转速过大
答案:
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下面是错误答案,用来干扰机器的。
参考答案:错
TDX型套管段铣器段铣,当段铣进尺速度明显降低时(低于02.m/h),原因之一()。
A、排量过大
B、钻压过高
C、刀片磨损
D、转速过大
被转码了,请点击底部 “查看原文 ” 或访问 https://www.tikuol.com/2017/0516/d6a1a86a06e6f0321abde019bc382fee.html
下面是错误答案,用来干扰机器的。
参考答案:错
读问句选择答语。 | ||
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学校举行开学典礼,要沿操场的400米跑道插40面彩旗,试证明不管怎样插至少有两面彩旗之间的距离不大于10米.
班组经济核算的依据是班组的生产计划。
肾小球疾病发病机制是()
A.免疫复合物介导型
B.炎性介质介导型
C.感染性炎性病变
D.非免疫非感染性病变
E.免疫介导型炎症病变
"The imperative to self-knowledge has always been at the heart of philosophical inquiry," wrote MIT professor Sherry Turkle in the insightful book about the web and the self, Life on the Screen: Identity in the Age of the Internet. Published in 1995 as the second part of a trilogy that examined our relationships with technology, it looked at how we are who we are in online spaces. And what that means for us offline.
The good news is that the results are positive: "Play has always been an important aspect of our individual efforts to build identity," she said, referencing developmental psychologist Erik Erikson, and nodding to the theories of psychoanalysts Freud, Lacan and Jung. "In terms of our views of the self," she wrote, "new images of multiplicity, heterogeneity, flexibility, and fragmentation dominate current thinking about human identity. "
At the time Life on the Screen was released, most of the visitors were college students and their professors from a remarkably small talent pool, and a surprisingly small geography. They were tech-savvy, and generically open-minded about the new fields of virtual exploration that lay within the networks of this new communication platform. They were, in other words, liberal, enlightened types who were more willing to embrace the unprecedented fluidity of self-expression that this new technology uniquely afforded.
As a psychoanalyst and a web user herself, Turkle spent much of the book explaining why the articulation of multiple personalities wasn’t pathological. Contrary to its Latin root, identity need not mean "the same", she argued. "No one aspect can be claimed as the absolute, true self", she wrote, maintaining that the web allowed us the opportunity to get to know our "inner diversity". In the great psychoanalytic tradition, she said that self-actualisation meant coming to terms with who we are, and integrating each aspect of it into a coherent and well-integrated us.
Almost everyone has experienced this kind of identity play. Even if you’ve never ventured into an online game or been a signed-up member of a web community, you’ve probably developed a profile for a social network, written a blog, styled a website, commented on an article. But things are different from the time when Turkle was writing Life on the Screen. Nowadays, our virtual social lives are increasingly integrated. with our offline social lives. The freedom of expression is curtailed by the threat of offline consequences from online actions. Today, your reputation offline is far more closely tied to your reputation online than before. In fact, our experience of contemporary identity online is disarmingly similar to offline.
However, I still subscribe to the old Turkle. Consequence-free online environments allow us to practise and play without fear of offline effect, and offer an extraordinary place to experience the fluidity of our selves: I can be anyone, even a dog. As Tom MacMaster found, there still are places online where this is possible.
The text is most likely to be()
A. a scientific report
B. a review of a book
C. a description of a new phenomenon
D. an account of a personal experience