关于加速度的单位m/s２，下列读法中正确的是：（ ） A．米每秒平方 B．米每二

男性，36岁。查体可闻及异常支气管呼吸音，该患者不可能的诊断是 （）

A.大叶性肺炎实变期

B.空洞性肺结核

C.大量胸腔积液

D.压迫性肺不张

E.支气管肺炎

完整的指界委托书的接收入应填写( )。

A．县(市、区)人民政府

B．地籍调查人员

C．指界委托人

D．县(市、区)国土资源局

下列对本单元三篇课文有关内容分析不恰当的一项是（ ）（2分）

A．《林教头风雪山神庙》中描写的那场越来越紧、越来越大的风雪，成为小说中人物活动的一个特色鲜明的背景，既烘托了人物的形象，又为人物活动渲染了气氛。

B．《林教头风雪山神庙》中，林冲对李小二说：“我是罪囚，恐怕玷辱你夫妻两个。”这淡淡的一句话，分量却不轻，它体现了扶危济困的英雄林冲身在危难之中依然不顾自己的苦难，一心为别人着想的高贵品质。

C．《装在套子里的人》中的别里科夫虽然有显赫的地位和权势，但他是旧制度、旧秩序、旧思想的忠实维护者，人们害怕他，其实是被那黑暗污浊的政治空气压得喘不过气来。

D．《边城》的语言自然流畅，明白如话，写景优美舒展，给人以真实的感觉又有着无限地回味，充分展现了作者对语言文字熟练的驾驭能力。

在窗体上画一个名称为Command1的命令按钮，然后编写如下事件过程： Private Sub Command1_Click() Static y As Integer Cls For i=0 To2x=x+yy=y+3 Next Print x, y End Sub 程序运行后，连续二次单击Command1按钮后，窗体上显示的是______。

A．9 9

B．36 18

C．30 12

D．63 27

In order to understand, however imperfectly, what is meant by "face", we must take (1) of the fact that, as a race, the Chinese have a ply (2) instinct. The theatre may almost be said to be the only national amusement, and the Chinese have for theatricals a (3) like that of the Englishman (4) athletics, or the Spaniard for bull-fights. Upon very slight provocation, any Chinese regards himself in the (5) of an actor in a drama. He throws himself into theatrical attitudes, performs the salaam, falls upon his knees, prostrates himself and strikes his head upon the earth, (6) circumstances which to an Occidental seem to make such actions superfluous, (7) to say ridiculous. A Chinese thinks in theatrical terms. When roused in self-defense he addresses two or three persons as if they were a multitude. He exclaims: "I say this in the presence of You, and You, and You, who are all here present. " If his troubles are adjusted he (8) of himself as having "got off the stage" with credit, and if they are not adjusted he finds no way to "retire from the stage". All this, (9) it clearly understood, has nothing to do with realities. The question is never of facts, but always of (10) . If a fine speech has been (11) at the proper time and in the proper way, the requirement of the play is met. We are not to go behind the scenes, for that would (12) all the plays in the world. Properly to execute acts like these in all the complex relations of life, is to have "face". To fail them, to ignore them, to be thwarted in the performance of them, this is to " (13) face". Once rightly apprehended, "face" will be found to be in itself a (14) to the combination lock of many of the most important characteristics of the Chinese.

It should be added that the principles which regulate "face" and its attainment are often wholly (15) the intellectual apprehension of the Occidental, who is constantly forgetting the theatrical element, and wandering (16) into the irrelevant regions of fact. To him it often seems that Chinese "face" is not unlike the South Sea Island taboo, a force of undeniable potency, but capricious, and not reducible to rule, deserving only to be abolished and replaced by common sense. At this point Chinese and Occidentals must agree to (17) , for they can never be brought to view the same things in the same light. In the adjustment of the incessant quarrels which distract every hamlet, it is necessary for the "peace-talkers" to take a careful account of the (18) of "face" as European statesmen once did of the balance of power. The object in such cases is not the execution of even-handed justice, which, even if theoretically desirable, seldom (19) to an Oriental as a possibility, but such an arrangement as will distribute to all concerned "face" in due proportions. The same principle often applies in the settlement of lawsuits, a very large percentage of which end in what may be called a (20) game.

2（）

A.ego-centric

B.dramatic

C.thrifty

D.diligent