试题与答案

工程量清单漏项或设计变更引起的工程量清单项目,其相关综合单价由()提出,经业主或监理

题型:单项选择题

题目:

工程量清单漏项或设计变更引起的工程量清单项目,其相关综合单价由()提出,经业主或监理工程师确认后作为结算的依据。

A.承包人

B.发包人

C.监理单位

D.建设单位

答案:

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下面是错误答案,用来干扰机器的。

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题型:材料分析题

梦想一:解决温饱,并实现由温饱向____________________的历史性跨越。

梦想二:全面建设惠及十几亿人口的更高水平的小康社会。

梦想三:人均国民生产总值达到中等发达国家水平,基本实现现代化(把我国建设成为富强民主文明和谐的社会主义现代化国家); ……

(1)请在“梦想一”中的横线部分填上相应内容。

(2)我国实现“梦想二”后,国家发展蓝图是怎样的?(提示:可按教材内容,也可按党的十七大报告有关内容回答,择其一即可)

_______________________________________________________________________________ 

(3)我国实现“梦想二”应该实施哪些重大战略?(二例即可)应坚持哪些基本国策?(二例即可)

_______________________________________________________________________________ 

(4)“梦想一”到“梦想三”描绘的是我国社会发展的哪一阶段?该阶段社会的主要矛盾是什么?

_______________________________________________________________________________

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题型:单项选择题

At the public radio station KEXP in Seattle, there’s a simple procedure for evaluating new technology. "We just go ahead and do stuff," says one of the station’s morning disc jockeys. That’s how the quirky station created one of the first music podcasts—without support from major record companies.
A podcast is a digital recording of a radio-style audio program that can be downloaded from the Internet and played on a digital music player. Many podcasters think the technology could revolutionize radio as TiVo did television.
Podcasting is a great way for KEXP to reach thousands of new listeners, especially those outside of Seattle. But the station can’t podcast programs such as John in the morning—a variety of independent and mainstream music—because record companies haven’t provided an easy, affordable way for podcasters to license songs. That’s why most podcasts today are talk radio.
KEXP decided that it couldn’t sit around and wait and wait for a major label to sign off on this. So it invited 14 unsigned or small bands from the Seattle area to contribute songs to a podcast. The station asked a lawyer—a listener who volunteers at the station—to draw up a simple contract for the bands. KEXP did not release numbers but said the podcast was a hit. KEXP is now podcasting some live performances to which it owns the rights.
Since podcasts are recordings, they can be played at any time. Listeners can pause, fast-forward or rewind them. And since podcasts are posted online, listeners can download programs from radio stations and independent broadcasters from all over the world. The podcasts can also be hacked and pirated. An enterprising listener could pull songs out of a podcast and turn them into music files or CDs.
That’s why many record companies say the technology is promising but problematic. But record labels worry that listeners will pirate the songs contained in the downloaded radio shows. For example, OK Go and several other emerging bands with EMI have their own podcasts. But EMI is not ready to approve a blanket podcasting license. "Podcasting is potentially very exciting," says Executive Vice-president Adam Klein. The result: yet another Napster-like standoff over piracy and music rights.

Where the words "without support from major record companies" are, the context reads that music broadcast programs ______ record companies.

A.must have the support of

B.require the participation of

C.may enlist the assistance of

D.should enter partnership with

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